From the mind of Megan Arkenberg

Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

January 1, 2016

New Year's, Again

Posted by Megan Arkenberg with 23 comments
It's that day when we sum up the last 365 rotations of our planet's axis and make promises about what we're going to do for the next 366 such rotations. Frankly, the thought of doing either of those things makes my mouth go dry and my stomach do unpleasant little somersaults. So let's see if I can sum up the last week and project to next Tuesday.

I've reread The Lord of the Rings or The Silmarillion every Christmas since about 2004. This year, I skipped the Tolkein and wound up re-reading David Bajo's The 351 Books of Irma Arcuri. It's a queer novel, all senses, and I have to point out the weird erasure in which none of its reviewers mention that the heroine is bisexual (although one, in a telling overstatement, refers to her "omnisexual"). In any case, I recommend it. If it isn't exactly speculative fiction, it has a distinctively speculative bent: "You are the only other one I have ever met," Irma writes to the protagonist, "who so deeply and compulsively sees anything and automatically begins seeking alternatives."

I also read Nathan Ballingrud's North American Lake Monsters, a Christmas gift from my sister, in one sitting. It's an intense trip. I've loved "Wild Acre" since I first read it in a Year's Best anthology, and it works beautifully in the first act of this collection.

So much for Christmas. The rest of my week off was dedicated to chapter revisions, syllabus writing, and reading for my dissertation prospectus. I haven't made progress on short fiction since October.

Other thoughts for the end of the year: In 2015, I published seven short stories, two of which have made it onto end-of-the-year reading lists. I also had the opportunity to edit nonfiction for a special issue of Nightmare, which was a learning experience in the best sense of that phrase. Finally, Mirror Dance is still going strong, now at a new URL (and with a new e-mail address when we reopen to submissions on January 15).

I'm hitting the ground running in 2016: "Palingenesis," a nearly un-classifiable blend of Weird fiction, philology, and nineteenth-century science, is the cover story for Shimmer #29. I'll have more to say about it on Tuesday, when it goes live on the website.

Until then: stay strange, beautiful people.

March 1, 2014

March News

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  • ~ The Spring 2014 issue of Mirror Dance is now online, with (as usual) a fantastic mix of familiar names and exciting newcomers.
  • ~ The March 2014 issue of Niteblade is also online, and Mirror Dance readers should recognize - or will recognize, after our summer issue - every name on the poetry page. ;-) And when you're done reading the lovely poetry, you can slide over to the fiction end of things and check out my fairy-tale retelling, "Godfather."
  • ~ The End is Nigh, co-edited by John Joseph  Adams and Hugh Howey, is officially now in Kindle and trade paperback. In addition to my "Houses Without Air," this anthology is full of stories from awesome writers like Seanan McGuire, Ken Liu, Jake Kerr, Sarah Langan, and Paolo Bacigalupi. 
Later this month, my story "The Sons of Zeruiah" will be published in King David and the Spiders from Mars. Four new poems will also be featured in the revived Flytrap.

February 19, 2014

I, for one, welcome the oncoming apocalypse

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My new story, "Houses Without Air,” will be published in THE END IS NIGH, the first volume of The Apocalypse Triptych, edited by John Joseph Adams and Hugh Howey. The book goes on sale March 1, but is available for pre-order now.

Here’s the cover copy:
Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.
But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.
Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.
THE END IS NIGH features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others.

"Final  Exam" will also be reprinted in Wastelands 2, the follow-up to JJA's very successful Wastelands anthology, coming February 2015. The table of contents is crazy impressive! 

November 20, 2013

Crossed Genres needs subscribers!

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...And you need the monthly dose of awesome that is Crossed Genres magazine.

Where else can you find a magazine with three sequential issues dedicated to "Typical," "Music/Musicians," and "Robots, Androids & Cyborgs"? Even more awesome (awesomely?), Crossed Genres is dedicated to increasing the visibility of women, people of color, people with disabilities, and queer characters in speculative fiction. Buy yourself a subscription, buy your SF-loving friends a subscription, and buy your SF-hating friends a subscription to change their minds about genre fiction.

June 1, 2012

Mirror Dance Summer 2012

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"Passages: Stories of Gateways and Guardians"  is now online! This issue has gods and fairies, heroes and monsters, ghosts and vampires, temples and mysterious forests and icy fog-shrouded mountaintops. (It also has a few mysterious formatting issues, which I am trying desperately to sort out, and incredible original art by Shirl Sazynski, which should more than make up for the formatting.) Happy reading!


Also, in honor of this issue's theme, have a look at these fascinating entrances that are clearly gateways to Narnia.

May 29, 2012

Wiscon 36

Posted by Megan Arkenberg with 4 comments
Despite being a lifelong Wisconsin resident, I hadn’t made it out to Wiscon until this year. I know, I know, where are my priorities? The convention was capital-A Awesome. Getting the program was like being handed a menu where every entrée is chocolate, or a course catalogue where every literature syllabus includes M. R. James. Unfortunately, due to that work-thing that pays the bills, I could only stay for Saturday afternoon and Sunday morning.

If you were there and are wondering if you saw me, I was the young woman with long, very straight brown hair, wearing a waistcoat and carrying a black-and-gold brocade bag. My companion, the other young woman with long, very straight brown hair, was my sister, novelist Therese Arkenberg.
The first panel we attended was “Considering the Female Villain,” which discussed such varied issues as sexuality and sexualization, maternity, mental illness, and the all-important motive and motivations. The panelists hit on pretty much everything that an author has ever done to annoy me with their (mis)handling of a female villain: tracing her villainy back to some man who had done her wrong, overseuxalizing her, redeeming her through her relationship with the (male) hero. Allison Moon raised the excellent point that a female villain’s sexuality makes her less dangerous, since it offers the male hero a way into her affections, while a male villain’s sexuality (if it ever occurred—outside of the fandom-generated “Draco in leather pants” phenomenon, I can’t think of many sexualized male villains) would make the villain more dangerous, since the accompanying threat of sexual violence would be, in Moon’s words, “capital-S Scary.” Why, in this equation, female sexuality is seen as humanizing while male sexuality is violent and de-humanizing is another topic to consider.
The only academic panel I made it to was “Theorizing Vulnerability in Feminist Science Fiction” (Kathryn Allan) and “The Tribe of the Maiden and the Tribe of Monsters: Reconfiguring the Monstrous Feminine in Cathrynne Valente’s The Orphan’s Tales” (Suzanne Boswell). Both panelists were wonderfully articulate. The first paper dealt with a number of cyberpunk texts, a bit outside my area of interest, but the second offered an astute reading of Valente’s reimagining of the maiden/monster spectrum (not dichotomy!) and reminded me how badly I need to reread The Orphan’s Tales.
Saturday evening was the Tiptree Auction with the hilarious Ellen Klages: highlights included Ellen auctioning off her own shirt and Mary Robinette Kowal’s erotic reading of an early twentieth-century children’s book. Then off to the Outer Alliance reading, where Therese read a passage from her epic fantasy The Last of the LesserKings; Catherine Lundoff read from her werewolf novel (with a mature adult protagonist!) Silver Moon; Julie Andrews read a story about an alien robot invasion; Julia Rios read a modern extension of Hansel and Gretel; and Keffy Kehrli read an awesomely disturbing story about suicide. The reading went to well past my bedtime. At the end of it, I seem to remember turning to Rose Lemberg, brilliant poet and editor of Stone Telling, who happened to be seated next to me, and mumbling something inarticulate like “totally love your magazine.” At least, that’s what I meant to say. It probably came out “askdlfjlsStoneTellingyay!”
Sunday morning, I got up bright and early (well, definitely early—your mileage may vary on “bright”) and attended “Steal Like an Artist” for a spirited discussion about influence, fanfiction, deconstruction and cultural appropriation. No one actually mentioned the Anxiety of Influence, but that was definitely an undercurrent in the discussion: when all art participates in a dialogue with previous art, how do artists assert their originality? Highlights included Alexandra Erin’s concise rebuttal to the obnoxious “there’s only three/seven/fifteen/four-hundred-eighty-six-point-three stories in the universe” accusation/defense: “If you squish everything down to a nutshell, it’s going to look like every other nutshell.” Also, did you know Fifty Shades of Gray was originally Twilight fanfiction? I didn’t, because every time I get within thirty feet of a copy, the hair prickles along the back of my neck and greenish waves of nausea wash over me like the tsunami that will one day herald the rise of Cthulhu. (To be fair, similar waves of nausea washed over me when I saw there was a panel on rape fantasies at Wiscon. The whole topic of male-dom/female-sub is a Cthulhu-sized squick for me, in the classic and non-moral sense.)
Therese persuaded me to accompany her to the panel on “Writing the Singularity,” which is something I’ve never done but something she is interested in doing. I entered with no idea what the Singularity was or how I would go about writing it; I left with a slightly better idea of what the Singularity is and a very long reading list. *Adjusts Monocle-of-Fantasy-Writing* I say, what funny things you science fiction writers come up with!
My last panel of the convention was “It’s Actually Quite Hard to Rip a Bodice,” a panel on research and historical fiction lead by Vylar Kaftan, Lucy Adlington, Ellen Klages, Elizabeth Bear, and Alex Dally MacFarlane. (Side note: MacFarlane’s ““Numismatics in the Reigns of Naranh and Viu” in The Mammoth Book of Steampunk was perfect. You should go read it. Yes, now. I’ll wait.) The panel addressed the proper use of research, the challenge of stopping research, how to record and map out one’s research, and the difficulty of bodice-ripping. Conclusion: research is considerably more seductive than the ripping of bodices.
Next year I’ll hopefully be able to make it down for the full three-day weekend. I’ll also hopefully remember to bring a notebook so I can jot down and remember all the clever things people say at eight in the morning when I’ve been up until one the previous night. My human frailties aside, it was a fantastic, enlightening experience.
Now, off to find everything this weekend has added to my reading list.... 

May 25, 2012

New market for fantastical poetry!

Posted by Megan Arkenberg with 1 comment
I thought some of my Mirror Dance poets might be interested in this: Through the Gate is a brand-new magazine for fantasy poetry with "emotional and literary depth" and a special interest in myth and folklore. Find the full guidelines here. This sounds like a fantastic project and I can't wait for the first issue!


Speaking of gates and traveling through them, the line-up for the Summer 2012 Mirror Dance (theme: Guardians and Gateways) is complete. Mike Phillips and Robert Shmigelsky return to our pages, while we'll be welcoming Shirl Sazynski, Jamieson Ridenhour, K. A. G. Broderick and many others to their first (but hopefully not last!) Mirror Dance issue. The issue goes live on June 1. Hope to see you there!

April 25, 2012

Asimov's

Posted by Megan Arkenberg with 5 comments
I received my contributor's copy of the June 2012 Asimov's in the mail yesterday. I'm sure it goes without saying that I'm thrilled my story "Final Exam" has found such a great home...but I'll say it anyway. This may be my favorite of all the stories I've written. Yes, that's a hint--go check it out!

December 1, 2011

Roses in December

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The Winter 2011 issue of Mirror Dance came out this morning. We have some lovely retold fairy tales, surprising takes on folklore, entirely original pieces, and an insightful interview with Mike Phillips. I'm particularly pleased with the poetry in this issue, so be sure you check it out!

My pseudo-Jamesian secondary-world ghost story "The Gardens of Landler Abbey" appears in today's issue of Beneath Ceaseless Skies, and the very queer "Portrait of a Courtesan" appears in Crossed Genre's final issue. As a bibliographic note, "Landler Abbey" is my most recently finished story, having been drafted, edited, and submitted this September. Make of that what you will.

In other news, please think positive thoughts for my mother and aunt, who lost their beloved mother (my wonderful and elegant grandmother) on Saturday.

June 28, 2011

The Mammoth Book of Steampunk

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Super exciting news, everybody! "The Celebrated Carousel of the Margravine of Blois" will be reprinted in The Mammoth Book of Steampunk. Check out the link for the full TOC and cover art. It's gorgeous!

June 27, 2011

Dead Languages

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"The Curator Speaks in the Department of Dead Languages," a long poem with a long title, appears in Strange Horizons this week. Read and enjoy!

June 1, 2011

Now is the Winter of our Discontent...

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...made summer by the shiny summer issues of many magazines!

Mirror Dance's Summer 2011 issue is online. As always, the summer issue has a theme: Kunstkammern, stories of secrets and curiosities. We have lots of delightfully odd tales, so head on over and check them out!

My poem "Song Before a Quest" appeared in Issue 13 of Cabinet de Fees yesterday, and "The Conqueror of Mars, to his Beloved" is in Ideomancer today.

Also, I have received two very shiny acceptances to two very shiny publications in the last week, but I'll wait until all the contracts are in hand before I announce any more details.

March 1, 2011

Magazine Updates

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1. Mirror Dance's Spring 2011 issue is now online. "Online" being a relative term, since I misplaced one author's poem and now I can't find my review of Walter Rhein's excellent The Bone Sword in my files. This is incredibly embarassing and will be corrected before the end of the day.

2. Lacuna is closed to submissions until June 1 so that I can clear out the backlog. My attempt at replying within a week with a rejection or a hold notice seems to have failed utterly. We'll see if I can come up with a more managable system before June.

If you have any questions about the status of your story, feel free to ask, though the answer will almost certainly be "I'm still considering it for the October 2011 issue." When I read through a batch of submissions, I'll make an announcement on the Lacuna submissions page, saying "All stories submitted before [Date] have now been responded to," and if your story was submitted in that date range and you haven't received a response, you'll know you're good to panic.

Until then, keep calm and carry on.

February 28, 2011

Grief, m'sieur, is a carousel.

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"The Celebrated Carousel of the Margravine of Blois" appears in Fantasy today. Also, there is a spotlight.

Happy reading!

February 16, 2011

Playthings of the Gods

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Yesterday marked the release of Drollerie Press's Playthings of the Gods, an anthology of Greek myths retold for a YA audience. My story, "Naxos," retells the story of Ariadne, Theseus and Dionysus on the island of Naxos--in Wisconsin, with an all-female cast. Check it out!

November 30, 2010

What? Already?

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As far as I'm concerned, November is now over. The December issue of Mirror Dance is up and lovely and brimming with poetry and flash fiction. Go check it out!

As predicted, I utterly failed NaNoWriMo. I finished two stories--"The Gallery of Vespasian Marat" and "Lessons from a Clockwork Queen"--neither of which were on my need-to-complete list, and which combined total less than 10,000 words. If I'm allowed to count drafts of class assignments, I wrote approximately 35,000 words this month. Which isn't bad for me, so I'm not completely disheartened.

And I got two seperate ideas for two seperate novels, one of which I hope to get somewhere on over winter break.

October 15, 2010

Issue 3 of Lacuna, and Kephalopods!

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Issue 3 of Lacuna is now online! This is our fullest issue to date, and hopefully it's got something for everyone.

My story "Hieronymus" appears in Issue Two of Basement Stories. This one's a tough bugger to categorize; a secondary-world weird tale with a healthy dose of environmental conciousness. If, you know, your environment includes unspeakable creatures of the dark and damp...

September 1, 2010

O Season of Mists and Mellow Fruitfulness...

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Hooray for autumn and the plentiful publication it brings!

1. The Autumn 2010 issue of Mirror Dance is live and lovely. Check out the great fiction, poetry, and a piece or two that falls between the cracks.

2. My story "Rosewinter" appears in the current issue of Niteblade. This is a pretty old story, originally written in fall of 2008, though reworked quite a bit since then. For those of you playing along at home, "Rosewinter" uses a spiral chronology similar to the one in "The Copperroof War," and is (along with "Cesare") one of the only villanous-woman's-first-name-titled stories I ever successfully completed, though I have ten or twelve sitting around in draft form.

3. My story "The Father of the Riverborn" appears in the current issue of Port Iris. This story is much newer, and the viewpoint character also plays a role in my novel-in-progress Jaquemart. This is also the only time you will ever, ever hear me talk about gender roles in fiction: "I’m familiar with psychoses...And this sexual-role nonsense sounds like a culture-wide psychosis."

4. I also have a story appearing in the September issue of Flagship, and poems appearing in Cabinet des Fees and Illumen. More on those as they come in.

5. The proof of Crimethink arrived today with all its pieces in the proper place! I pressed the fancy little approve button, and now you can buy a print copy from the Crimethink storefront: https://www.createspace.com/3476062. Remember that all proceeds go to Doctors Without Borders.

July 1, 2010

Good Things Come in Threes

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1. Crimethink, while not entirely formatted, is now online.

2. My poem "What Sieglinde Serpentslayer Said to the King" is online at Heroic Fantasy Quarterly.

3. James Lecky's "Ancient Shades" is also online at HFQ, and I've never read a story of his that I didn't enjoy immensely.

June 2, 2010

June Things!

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The June issue of Mirror Dance is now online, and my story "The Copperroof War" appears in the June issue of Ideomancer.